endlich ist es soweit, sia, die 8x grammy-nominierte ausnahmekünstlerin wird am ihr atlantic debut veröffentlichen. und damit nicht genug, mit »everyday is christmas« wird sie in form eines weihnachtsalbums mit 10 außergewöhnlichen weichnachts-popsongs frischen wind in die doch eher musikalisch traditionell geprägte weihnachtszeit bringen!
ob singles wie »cheap thrills« und »chandelier« oder ihr letztes album »this is acting«: so ziemlich alles, was sia in den letzten jahren angepackt hat, ist zu gold geworden – wortwörtlich. die australierin weiß durch ihre musik und ihre ausdrucksstarken videos aufzufallen und zählt mit sicherheit zu den erfolgreichsten künstlerinnen der letzten jahre.
neben ihren eigenen erfolgen hat sia weltweite smash-hits für die erfolgreichsten künstler der letzten jahre geschrieben, darunter für beyoncé, kanye west, rihanna, britney spears, katy perry und viele weitere. ihre aktuelle kooperation mit zayn für dessen song »dusk till dawn« ist weltweit top 10 bzw. top 6 (auch in deutschland).
die vinyl-lp erscheint inklusive downloadcode.

its ya boy cherrrrrriep (sure-eep! say it with me now), one of torontos finest purveyors of basement jackin, turn up the bpm and let the wild times flow, dance trax. taking inspiration from the time honored traditions of the american mid west, we go straight to your dome on this one with a northern take on all things booty.

erste 12 inch auskopplung aus dem anfang 2018 erscheinenden neuen nightmares on wax-album -shape the future- ist der key-track -citizen kane- feat. mozez und allan kingdom (u.a. kanye west, flume) on vocals. ein tiefschürfender, in gospel-sounds getränkter hip hop-track, der verdeutlicht, welche reise und entwicklung n.o.w.-produzent george evelyn in seiner langjährigen karriere zurückgelegt hat. dazu gibt es zwei club-remixes von ron trent aus chicago. limitierte auflage inkl. download-code.

ltd 50% deal , last copies left ... italian production duo, mushrooms project, make their debut on jansen jardin with the wonderful >galattica<. releases for labels like under the shade and is it balearic? and remixes for the likes of tirk, lipservice and nang have introduced their blissed-out, mediterranean sound to fans around the world. galattica is 11 minutes and 45 seconds of high plains drifting, dream disco for late night drives and sunset sessions. a lush combination of euro disco arpeggios and west coast guitars spill out across a landscape of live percussion, bass and dub acrobatics. this is the soundtrack to a spaghetti western set in ibiza. a fistful of cervezas. the remix comes courtesy of the mighty chicago damn who has been responsible for some extraordinary music from his debut on mark es merc label to releases on claremont 56 and his own eponymous imprint. here he re-imagines the original track in the image of model 500, stripping away the music to a raw machine groove. dark, atmospheric and undeniably aimed at the floor.

7inch ep / sleeve has a central hole only on back cover, so that the b-side label completes the artwork. after the release of their first album born under saturn in 2012, and its follow up in 2015, musical adventurers django django went on to unchart new sounds and announce the release of marble skies, their new album, on january 26th 2018. tic tac toe is the first extract of this forthcoming album, and gets an exclusive 7inch, ep release. the track is a dancing, psychedelic uptempo and terribly catchy rock title, and will fulfill every django djangos rockabilly influence fan’s expectations. actually, the track is inspired from the very same improvisation that wor and shake & tremble recorded for born under saturn. the music video was directed by john maclean, brother of david (drummer and producer of django django), and director of the atypical western slow west.

john cohen aka dead fader first arrived on the label in 2016, with it works 1 - a brace of warping, high energy electronic music compositions that while largely unclassifiable in genre, maintain a gloriously vibrant, emotive sensibility that owes much to early idm excursions, and the more abstract tenets of the krautrock genre. that said - the artist cites anything from kanye west to bach and back again as informing the decidedly experimental and potentially confounding work - and his latest offering for the milan based label continues to riff on this open ended mesh of influence to great effect. the original material is buoyed by a formidable remix package, featuring downwards affiliate jk flesh - who turns in a caustic reinterpretation of fyi, roly porter of vexd and tri angle fame, who takes on raw food, and planet mus konx-om-pax, whos reimagining of life cycle closes out proceedings. its an admirable line up, in keeping with the aesthetic concerns of cohens excellent lp - and the chosen artists turn in respectful but wholly personal work - making for an excellent addition to growing parachute discography. parachuterecords.

four slow-burning bombs that perfectly encapsulate how far that slow motion, slo-mo sound can be stretched.

nena (1983) is the first album by german pop rock band nena and the second studio album of its singer, gabriele -nena- kerner. the album was a great success in west germany and the second single -99 luftballons- – a fable of nuclear war brought about by a bunch of balloons in the sky being mistaken on radar for a pre-emptive missile attack- successfully reached #1 in the music charts in the u.s. and worldwide.
the first nena album was released as part of the music genre called neue deutsche welle, new german wave movement in the german music. all five members of the band contributed to the songwriting. they were a unique group of musicians with a strong intuitive grasp of both classic pop and rock formulas. nena insisted that she saw herself as a member of the band and not as their leader.
the album is still regarded as an unsurpassed classic of german pop history, although most later nena albums are not far behind in quality.
pressing on 180 gram audiophile vinyl.

nice price deal !!! two tidy dubstep ?tributes? here with kanye west and brandy getting the treatment this time round!

the darkness at dawn ep channels a dystopian wild west from the astral plane, a blurred out trip into subdued euphoria, pitched amens, darkcore stabs and psychedelic blues drenched dub. released on digital and heavyweight (180g) black vinyl, shrink wrapped and housed in a full art reverse board sleeve featuring an original illustration by artist and label owner alex eveson (dead mans chest).

excellent va minim.all from the label in honor of 5 th anniversary of the label!

detroit producer norm talley shares his debut album, * norm-a-lise* on fxhe records. from a prolific dance floor career comes this debut full length album.
featuring 14 original tracks with influences of disco, house, and beyond taking his signature infectious style deeper. the album includes a track written by fxhe label boss omar s aka alex smith featuring l ‘renee.
having started his career when disco was king, talley’s real life influences over his 25+ year career have included the originations of house through various iterations. his reference points as one of the original members of the west 6 mile detroit crew and his dedication to his analog only studio position him as one of the more dynamic detroit artists who’s finally taking the time to release a complete project for his long awaiting fans.

this double lp set is ensconced in a thick tip-on gatefold jacket splashed with a colorful spread of vivid archival imagery accumulated over a decade of research into the columbus, ohio culture. the liner notes serve as an in-depth history of columbus soul music, linking the capsoul label with the prix label and norman whiteside s wee project (recently sampled by kanye west).

smashing house trips ... fantastic versatile, life feeling , only 1 per customer

we ve been closely watching the rise of a sagittariun ever since he first popped up with his consistently excellent elastic dreams label back in 2011. what started out as an anonymous project has since been revealed as the handiwork of nick harris, a long time champion of the bristol house and techno scene since before most of us were even hitting the dance. his music has been flying out with a no nonsense approach self-released, minimal promo, just cracking club-ready 12inches that tap into the fierce-but-fun spirit of detroit techno and albums loaded with smokers delights to appease his west country roots.

original hip hop classics presented by sugar hill.

if one looks at the output of los angeles based artist mat/matix, he’d find that this quite illusive figure from the la scene of contemporary electronic funk has quite some good tracks in his compact repertoire. this package (which contains a version from fellow west coast artist moon b) is dripping with heart wrenching synth soars and compact drum works that are built with the fierceness that is so significant for both the label and the artist.

aketi ray are an all-acoustic dub-jazz group, playing original compositions grounded in the instrumental music of post-independence jamaica -ska, rocksteady, reggae, rockers, dub -but drawing inspiration and influence from ethiopian and us jazz, west african percussion traditions, all with the mind set of uk steppas. an outernational sound: kingston to chicago to addis ababa to dakar to london.
the sound of -from ever since- draws on the vibes and heritage of pre-electr(on)ic music, but gives that traditional sound new power through the use of dub techniques of reverb, delay and eq manipulation.

tarawangsawelas are a musical duo from bandung, mainly performing a contemporary version of tarawangsa, the sacred music from sundanese west java. here they are joined by their teacher and maestro, pak pupung supena, together with, pak jaja, on sekalipon. wanci is a minimalist, cosmic album composed with a careful modern interpretation of one of the most mystical and spiritual genres in indonesia. a gorgeous and infectious six track album. tip!

this new release from best record italy contains for the first time the 3 tracks edited and mixed by john jellybean benitez between 1981 and 1982 of the italo disco songs by kasso (the pseudonym used by claudio simonetti) who became a classic in the underground house music scene of n.y. and chicago!

london-based artist silverlining continues his vinyl series with a reissue of one of his most sought-after tracks, breezin thru. first released in 1998, the track is now almost 20 years old and has stood the test of time with second-hand prices soaring to l70 and over, and current supporters including apollonia and secretsundaze. the flip features a remix of andy blake and dave cokers doodlebug project, with tinges of 80s electro, west coast breaks and old school deep house, all fused together for big systems.

kscope are extremely proud to be the home of the new studio album from tangerine dream, entitled quantum gate, released to coincide with and celebrate the 50th anniversary of the foundation of the band.
tangerine dream have been a fundamental influence on electronic and progressive music since their formation in west berlin, 1967. inspiring genres, musicians and other art forms, from the future sound of london to porcupine tree, the widely popular tv show stranger things (for which their music also featured in) to seminal video game grand theft auto v (for which they helped to write the soundtrack). the group, led by edgar froese, have received seven grammy nominations, written over 100 studio albums and developed instantly recognisable synth-based instrumental music based on a meditative musical experience, that came to prominence in the 70s and 80s.
the new album, quantum gate features an updated, contemporary development of their trademark sound: sequencer-driven electronica covering a wide range of moods and atmospheres from ambient soundscapes to energetic, upbeat moments.

seit seiner debüt-ep -stacker upper- 2010 auf luckyme produzierte lunice für labels wie warp, big dada, xl, young turks und diplo’s mad decent, arbeitete mit kanye west, azelia banks und hudson mohawke zusammen und supportete u.a. madonna(!) auf tour. sein kennzeichen ist ein futuristischer hiphop/electro-minimalismus, den er mit freiem jazz-ansatz zu einem raumfüllenden, multisensorischen klangerlebnis ausbaut. als gäste auf ccclx agieren kayne west-produzent mike dean mit einem gitarrensolo auf ccclx ii intermission sowie der niedliche pop-aficiando sophie und quickfire-rapper le1f, die dem titel drop down eine surreale schattierung verpassen.

for over 40 years orchestre poly rythmo de cotonou has combined traditional beninese music with soul, funk, afrobeat, rhumba and cuban rhythms to create this infectious soundà hailing from benin, west africa, orchestre poly rythmo de cotonou has been churning out incendiary afro grooves since 1966. on bosq meets poly rythmo uptown, bosq tastefully reworks 4 of orchestre poly rythmo s legendary recordings. as a die-hard fan, bosq took a subtle approach to the project. according to him orchestre poly rythmo has been a strong influence on his work and he wanted to be respectful to the original tracks. bosq focused on making the tracks dj friendly by beefing up the low end, rearranging and stretching parts out, and adding in extra percussion and a drum machine. the result is a 4-track ep of bumpy afro disco, psychedelic funk, frenzied afrobeat, and sunny soulful grooves. based in medellin, colombia, bosq has released a collection of music on ubiquity records, soul clap records, fania records, razor-n-tape, and more. since 2015, sol power sound, out of washington, dc has released deep sounds inspired by rhythms and traditions from around the globe. the label s output includes afro-latin stompers, re-edits of lost disco grooves, heady percussive tech workouts, and other sonic treats. four stone-cold classic orchestre poly rythmo de cotonou tracks re-shaped by bosq for the dancefloor today..

ig culture and alex phountzi are namebrandsound and are back with their third ep on their own arena yard imprint. known for their roles in the broken beat movement, namebrandsound puts a nowadays take on a lifetime of different influences. their most comprehensive body of work today the seven track spell t.h.i.s.o.n.e ep joins the dots between broken beat, juke, jazz, jungle and dancehall, from the grime jazz of harvest your manor to the new school bruk style of patience which features west london r’n n sensation, abel miller, to the straight up juked style of the title track

penelope is the 2nd installment from the ag & john robinson ep series produced by ray west. this time around they call on the prolifc west coast wordsmith blu on the title track “penelope” where all the emcees are painting verbal pictures of their own personal dream girl, this track also features frequent collaborator dave dar. the soundscapes provided by ray west are ill collages of jazz loops, live horns, percussion sounds, vintage drum machines and more. each of these recording sessions were labeled “tea with the butcha” by the collective and it truly does describe the essence of the sounds and conversations on these recordings.

dj support: faltydl, josey rebelle, mosca, zinc, foul play, stenny, west norwood cassette library, warlock, mr.beatnick, adam marshall, xxxy, teed, konx-om-pax, photonz, jerome hill, mark archer, n-type, happa, doc scott, ryan elliott, jakwob, shenoda, hrdvsion, tim parker, franklin de costa.

big sean is due to release the lp for his recent release, ‘idecided.’ via kanye west’s g.o.o.d. music and def jam recordings / virgin emi. in recent months big sean has been announced as puma’s global ambassador and creative collaborator. prior to this, big sean lit up 2015 with ‘dark sky paradise’ which featured the likes of drake, ariana grande, kanye west, chris brown, john legend and more. ‘dark sky paradise’ spun off the smash hit single, ‘i don’t f**k with you’ featuring e-40. sean was also a major collaborator on kanye’s ground-breaking ‘cruel summer’ album in 2012, and shared multi-platinum success with kanye on the grammy®-nominated ‘mercy’ (also featur¬ing pusha t and 2 chainz), and ‘clique’ (with jay z). released on 2lp translucent blue vinyl, gatefold sleeve, sticker.

auf seinem zweiten album als big french kombiniert der new yorker musiker quentin moore den willen zum knappen, eingängigen pop-song mit der Ästhetik des lo-fi-recordings. mit einem mehrspur-rekorder aufgenommen, nimmt der künstler manipulationen an den bändern vor und ändert die soundästhetik der ursprünglichen aufnahmen nachhaltig. damit erreicht er einen kontrast zwischen den melodiösen songs und einer ungeschliffenen sound-kulisse.

after the acclaimed release of nature boy s ruff disco volume one, frame of mind is back with another re-issue of a 25 year old record. gerd s very first house release called afterglow, produced under the alias of it s thinking together with two of his (highschool) friends mark and dirk-jan, was picked up by john acquaviva for release on the short lived plus 8 subsidiary called malego back in 1992. the ep features five warm and atmospheric house tracks recorded at a dark attic room somewhere in the west of holland in 1991. these days afterglow is quite a sought after record that rarely turns up cheap on discogs. we are proud to be able to offer you limited copies of this re-mastered package.

get 2 know nicky benedek: a producer, songwriter, multi-instrumentalist and dj. his compositions bridge the nebulous territories of house, boogie, hip-hop, jazz-fusion and experimental new age. born and bred in los angeles, benedek began pulling inspiration from the city’s structural and visual dichotomies at a young age. he picked up a guitar at 9 years-old, taking note of any and all sonic surroundings, from prevalent west coast g-funk to the synthesized sound effects in video games to a herbie hancock record pulled from his dad’s collection. amongst a complex set of influences, funk took a hold on his heart by high school. bene’s world is benedek’s second leaving records release, following last year’s coolin’ ep as well as a full-length debut on the influential peoples potential unlimited label. his catalogue also includes collaborations with dam-funk, delroy edwards and tom noble. recorded between his koreatown studio and the west la home he grew up in, bene’s world captures the characteristically-la mingling of urban action and canyon seclusion.

part ii - operated under extreme psychosis, performed live in the dead of night at the studio of the hague s pirate radio tonka , these two records contain an apocalyptic selection of the very darkest moments of its maker, an anglo-french bruxellois driftwood expat washed ashore on the west holland wasteland just to get even more lost in its empty shadow chessboard grid of luscious ghost town smoke screen structures built on nothing but loose sand, to get even more entangled in its reef-like vortex of the fleetwood parkland dune estates artifice of ugly evergreen high-tech verdure of rose and thorn , oh, yes, its many, many flowers sans mercee , red and white carnation, asphodel, or fleur de lys and fleur du mal , all awaiting, lurking gentle softness of the flesh, perfumed for luring prey, yet strikingly hard-wired through the courtly appearance and the troubling foliage of the count s many hidden pleasures, his many secret palace garden hedges, his royal seal concealed behind, oh, yes, its many, many spines, all hiding midst the ticket, like cloak and dagger, that poisoned slip of tongue, or poisoned tip of blade, and all s so easy to slip away and disappear into the vine and creeper, to make one trip and fall in smear of mud or was it blood?

roots vocalist barry brown has an inimitable style that has long made him a favourite of reggae enthusiasts. drawing from the popular phrasing of horace andy, but morphing it into his own delivery through the kind of wordless slurring that occasionally resembles the sound of a quacking duck, brown found his way into the jamaican music scene through the many amateur west kingston talent contests of the early 1970s, along with fellow aspiring talents such as johnnie clarke, sugar minott and the african brothers, and the mighty diamonds. he also honed his vocal skills on local west kingston sound systems such as tape tone, together with other young dancehall-oriented youth such as barrington levy, sammy dread, roy taylor and tristan palmer. there are still conflicting claims as to who was the first to record brown, with production veteran bunny ‘striker’ lee and sugar minott among the contenders, but in any case, during the late 1970s and early 1980s, he produced a range of captivating work for various producers, much of which is rightly coveted today. ‘ital rock’ appeared on barry’s 1983 lp i’m still waiting, issued by rocktone international, a spin-off of sugar minott’s black roots outfit, based in queens, new york (with a further branch in toronto), the b-side has dean fraser’s previously unreleased electrifying saxophone cut, rescued from dub plate obscurity by jah fingers.

rückkehr des supertalents lukas bohlender mit zwei neuen, atmosphärisch wie groove-technisch verzückten housetracks. sein kulttrack club chateau, der sowohl vom innervisions camp, agoria, über west-london djs als auch von legendären cosmic djs großes lob und respekt einheimste, hat hier gleich zwei würdige nachfolger. die hauptmelodie für golden hour entstand überwiegend beim fotografieren in den bergen. golden hour bezeichnet in der fotografie das spezielle warme licht beim sonnenaufgang oder kurz vor dem sonnenuntergang. in diesem sinne genau der richtige track für die twilight zone im club.

recorded in a shaky makeshift chicken shack in rural maryland, link wray’s eponymous 1971 solo album is a compelling and forward-looking piece of honest, handmade americana. check !

mattes schwarz started djing in 1982 at age twelve, inspired by, as many west-german kids, the gi-djs of the roller skating rinks around us army bases. while he got heavily involved in cologne’s bmx scene of the 90s, he never really stopped, and during the main years of being known as stecken-mattes and playing there each friday night, he coincidently lived in magazine record’s homebase, north- eastern cologne’s old harbour. one day after stecken’s closure had sent restructuring ripples through the city - i imagine him getting up in the morning and taking a deep breath - he decided to send magazine a few tracks. “i don’t know” is mattes schwarz’ first release.

another amazing exercise by thee j johanz! in r u there? early support from dj hell, prins thomas, simeon mobile disco, audio soul project, severino panzetta, tensnake and more

das ist die dritte veröffentlichung vom label funk injacktion records aus berlin als kollaboration von d. instructed und froyd. eine skurrile mischung aus rudimentärem industrial samba und free jazz artefakten frei von der leber weg und säurefestem electrofunk . einigen freunden der elektronischen musik ist sicher noch der name autopilot vom label elektrolux aus frankfurt bekannt. das projekt d. instructed steht für eine freie herangehensweise an analoge instrumente bzw drums . aus den jams und der improvisation entstehen die tracks genauso wie bei froyd, über die ehemalige stadtgrenze berlins hinaus. aus der ehemaligen ost-west-wurzel entstand ein neues mutterschiff für den märkischen funk.

die »erfolgreichste weibliche r&b-künstlerin der letzten 25 jahre« (billboard), zugleich die unumstrittene »queen of hip-hop-soul«, ist zurück: mary j. blige veröffentlicht ihr neues studioalbum »strength of a woman« und unterstreicht erneut, wie relevant sie auch nach einem vierteljahrhundert im rampenlicht ist.

das 2013er mixtape des west coast-rappers nispey hustle erscheint erstmalig als limitiertes 180g doppelvinyl in farbe. das album erlangte 2013 nicht zuletzt große aufmerksamkeit durch nispey hustles entscheidung 1.000 limitierte cds für je 100 usd zu verkaufen, wovon jay z durch roc nation direkt 100 stück kaufen ließ. als gäste sind rick ross, slim thug, dom kennedy, james fauntleroy und viele andere vertreten.

500 copies limited edition! flash forward is happy to repress one of kerri chandler s most beautiful records.first come first served ! -black vinyl label boss alan russell first met kerri when alan was writing for echoes magazine and kerri was signed (by a&r man johnnie walker) to champion records in the uk. alan was interviewing dee dee brave at a hotel in west london as part of the promotion for her album on champion which was released in 1991. alan was already familiar with kerri s work such as superlover and set if off and with his productions on movin records, so asked about kerri and when told that he was also in london as part of the dee dee s tour, the two met and began talking. kerri was slightly surprised that alan knew all of his early releases and the two bonded. they met again in new york when alan was attending the nms (precursor to the wmc in miami) and stayed in touch. years later when alan had started black vinyl the two met again and alan asked if kerri would do something for his label. kerri soon delivered a dat containing these three tracks. the track my old friend was originally titled for my old friend alan , which alan shortened so it would look better on the label! the rest, as they say, is history.-

bristol based arkist has always been a versatile producer and as a result has an impressive rage of releases under his belt, with revered imprints such as hotflush and hypercolour. recently he has been experimenting further in the studio and is ready to present his first 12inch in few years, under a brand new alias - astrocat. in this debut, self-titled ep it is instantly apparent that vocoder-infused funk and disco of the highest order can be expected from this new astrocat guise. the ep is full of vintage talk box vocals, warm spacey chords and infectious basslines that bring classic records from the likes of zapp and the rah band into mind. with 5 tracks this ep has a lot to offer. wether it be the raw, funked up james of the opener small talk and title track astrocat or the more chilled, woozy grooves of nightflare . with features from mr woodnote and a dub remix from appleblim this ep s roots sit firmly in the south west. local legend dj die even lent his vocoder to the studio for some of the recordings.

nice price deal !!! blazin rnb & hip hop tracks incl kanye west, gwen stefani, nelly, elephant man !

nice price deal !!! 2 hip hop tracks feat trick daddy, pitbull, rick ross & the flip side feat kanye west & john legend !

badbadnotgood bedienen sich der einflüsse und inspirationen aus ihrer umfangreichen schallplattensammlung, verknüpfen soul/jazz unterschiedlicher generationen (von esther phillips bis thundercat) mit afrikanischen künstlern (kiki gyan, francis bebey, admas anchi) und exotischem pop aus estland (velly joonas) und frankreich (les prospection), vergessen dabei ihre kanadischen landsleute (river tiber, charlotte day wilson), heutige indiehelden (boards of canada, stereolab) und auch die klassiker (the beach boys) nicht. als besonderes bonbon enthalten ihre late night tales ein exklusives bbng cover des kanadischen singer/songwriters andy shauf sowie eine exklusive spoken-word-erzählung der ultimativen queen of siam, lydia lunch.

the passport to paradise gang are in fine form as they serve up four more tripped-out disco edits for the globally-minded savant. we take sail with the excellent thru wit waitin, a beefed-up guitar chugger reminiscent of 70s aor in its steady percussive work and misty sax solo. it s the guitar line that really shines here, lifting the tune into funk transcendence in the bridge. anybody out there reaches out to the disco trippers with its northern italian cosmic kitsch feel: starry-eyed synth pads float above reverb-soaked guitar musings and playful french vocal samples. a particular highlight. on the flip, ptp take things south with a soulful west african shuffler guaranteed to elicit some arresting footwork. the ep leaves us with resounding vibrations from the far east: jp wave explores ethereal planes, building up a dense rhythmic fabric punctuated by bass stabs and ornamental chimes. this is a clever bunch of edits for the more discerning selectors and enthusiasts out there- act fast.

andi and david first met in a forest beside a psychedelic castle in the wild west of scotland and soon bonded over a love of wrong speeders, balearic gems hidden in plain sight and the odder side of the dancefloor before djing together just moments after andi was unraveled from a burning tarpaulin. a firm friendship and fun partnership was born. hailing from mancunia but for sometime an export to the usa, andi, for many years was one of the great things about new york city. a charming, low-key individual, a great, great dj and a graceful presence in the land of the overhyped and ego driven. andi held down the musical supervision of rock star games and was responsible for a lot of great music getting out to the gaming masses. he was a vital member of body and soul for the best part of 15 years, delivering infamous warm up sets for danny krivit, joaquin joe claussell and françois k, pedigree vibes... david, a music lover since birth, a record collector for more than quarter of a century and a reputation for being the first on the floor at any party. db s transition from dancer to dj didn t take too long and his selections of rare disco, oddball gems and panglobal pandemonium have seen him play back rooms, basements, festivals and freakouts throughout the land, whether running his own parties in glasgow or playing further afield alongside the likes of young marco, jayda g and moodymann.

the 1984 album from boney m back on vinyl, high-resolution mastered from the original source.

so far we landed to vol.10, this time with a stunning release from l.u.c.a. of edizioni mondo francesco de bellis is one of our favorite producer with tons of releases as francisco, jolly music over the last two decades his music is a kaleidoscopic universe of beautiful harmonies reminiscent of master italian composer like morricone, stelvio cipriani and alessandro alessandroni, blending together soundtracks, “summer of lov ” atmospheres and balearic pleasure.